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Composers > Jean Hasse > Amateur ensembles / Graphic Scores
Jean Hasse - Audience / Graphic Scores / Audience pieces
These pieces use simple traditional notation and/or graphic notation. Written for students as well as workshops with non-musicians or amateurs. Some pieces involve audience participation.
After Earle (1985) (ca. 3:00) > |
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| percussion (2 or more players) |
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Premiere: 13 Dec. 1985, Hartford CT
Real Art Ways performers
JHVM 101 order |
| Draw (1998) (1:20) |
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| string quartet |
Students/children hear the piece, played by a string quartet, then "draw" the sound
as they listen again
JHVM 102 order |
| Leaning (1998) (2:10) |
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| mixed ensemble |
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Premiere: 19 July 1998, Oddfellow's House, Portsmouth, England
Portsmouth New Music Orchestra workshop / Jean Hasse
JHVM 104 order |
Moths - for a few hundred whistlers (1986) (ca. 11:00)> |
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audience with conductor (ca.8:00 practice, ca. 3:00 performance)
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Premiere: 24 July 1986, Sanders Theater, Cambridge MA
Composers in Red Sneakers audience / Jean Hasse
JHVM 105 order |
Next Dance (1999) (3:00)>>> > |
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| piano quartet or two violins, cello, piano |
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Premiere: 16 June 1999, Wiltshire Music Centre, Bradford on Avon, England
Wiltshire Schools students
JHVM 146 order |
| Pebbling (2001) (ca.5:00-8:00) |
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| percussion (audience clicking/rubbing pebbles, with conductor) |
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Premiere: 15 April 2001, Samphire Hoe, Dover Cliffs, Dover, England
Easter Weekend Festival audience / Jean Hasse |
| Two Songs from the Japanese (1998) (3:00) |
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Swifter than hail; When
chorus and piano; chorus
Text: Japanese poets from 9thC, 20thC, translated by Kenneth Rexroth (Engl.) |
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Premiere: 11 July 1998, St George's in the East, London
COMA Voices / Dominic McGonigal
JHVM 106 order |
t.b.a. (1998) (1:00)
mixed ensemble |
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Premiere: 11 July 1998, St George's in the East, London
Portsmouth New Music Orchestra workshop / Jean Hasse
JHVM 107 order |
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Jean Hasse Compositions
- Amateur ensembles /
- Graphic scores
- Brass ensembles
- Chamber ensembles /
- Solo instruments
- Percussion solo and
--ensembles
- Piano
- Vocal / Choral
press quotes
Moths
“Hasse possesses a
witty sonic imagination. With audience participation, her 1986 Moths amplifies different pitches and rhythms of many puckered lips making music.
The effect is stunning.”
- The Hartford Courant,
December 1987
Pulling
“a lovely piece for reverbed and echoed flutes”
- Village Voice, NY,
29 May 2001 |
