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Composers > Jean Hasse > Piano
Jean Hasse - Piano
Four Bits for Piano (1986-87) (11:00) > |
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| I. Purple Blues |
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| II. You're Like a Sunny Day (w/voice) |
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| III. Moment X |
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| IV. The Fantastic Vacation |
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Premiere: 6 November 1987, Old Cambridge Baptist Church, Cambridge MA
Jean Hasse / Herschel Garfein (voice)
VM 08 order |
kinkh (1985) (3:45)> > > > |
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Premiere: 13 December 1985, Real Art Ways, Hartford CT / Jean Hasse
VM 09 order |
| Pocket Pieces (1998-2005) (ca.50:00) |
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| 62 piano pieces in three volumes |
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| Indian Summer |
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| Little Pond |
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| Never Fail Fudge |
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| Edge |
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| Remember |
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| Sitting Around |
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Premiere of 16 pieces: 29 October 1998, MacDowell Colony, Peterborough NH
Jean Hasse
Book I: JHVM 121A order >> > >> >>Book II: JHVM 121B order >> >>>>> Book III: JHVM 121C order |
Silk Water (1992) (6:15)>> > > |
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| piano left hand |
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Premiere: 12 October 1992, New England Conservatory, Boston MA / Leon Fleisher
VM 04 order |
Sixths (1999) (4:00)> |
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Premiere: 4 August 1999, Astor Theatre, Deal, Kent, England / Stephen Gutman
JHVM 120 order |
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Tremolo Piece (1985) (ca. 5:30)> > |
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| Piano and digital delay system or two pianos or any number of pianos |
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Premiere: 13 December 1985, Real Art Ways, Hartford CT / Jean Hasse
JHVM 122 order |
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Jean Hasse Compositions
- Amateur ensembles /
- Graphic scores
- Brass ensembles
- Chamber ensembles /
- Solo instruments
- Percussion solo and
--ensembles
- Piano
- Vocal / Choral
press quotes
Four Bits for Piano "Impressionistic and jazzy, the work recalls the past but introduces new harmonies and rhythms."
- The Hartford Courant,
December 1987
kinkh
"It is bone dry, full
of interesting detail, inviting personal involvement.
I really love it."
- Piano, March/April 1998
Pocket Pieces
“Small, thoughtful piano pieces of often Satie-esque melancholy”
- Village Voice, NY,
29 May 2001
Silk Water
"a ruminative work of chord and clusters
with a Messiaenic spiritual aura"
- The Boston Globe,
October 1992
"The six-minute work
is every bit as evocative as the title indicates.
And Leon Fleisher brought rapturous intensity to the slowly evolving chordal writing"
- San Francisco Examiner, March 1993
Tremolo Piece
"a wash of shimmering surface textures"
- The Boston Globe,
February 1988
"engaging to the ear ... (it) builds up harmonies slowly in an unchanging but ever-richer texture"
- BBC Music Magazine,
March 2000 |